|
Buzz Meister
By Kenneth Cline
Marketing guru Stephen Cone says bank advertising
badly needs a dose of excitement.
Is bank advertising too dull?
Stephen A. Cone certainly thinks so. Having previously
worked with KeyCorp, American Express Co. and Fidelity Investments, the
53-year old Citigroup Inc. executive brings an unparalleled perspective
to his assessment of the current state of bank advertising. And he doesn't
like what he sees.
"Most banks don't have any excitement in their advertising," says
Cone, the marketing head at Citigroup's global investment management
unit. "I don't think there's any correlation between 'safe and secure'
and 'dull and boring.'"
Cone, who inserted comedians Lily Tomlin and Don Rickles
into Fidelity ads and built KeyCorp commercials around television star
Anthony Edwards ("ER"), says financial institutions need to build brand
image in both good times and bad. Differentiation from competitors requires
advertisements that "create excitement," which Cone defines as inspiring
enthusiasm in customers and employees alike.
While easily stated, creating a buzz around a brand
or product poses a major managerial challenge. A campaign must first
be sold within the company itself to energize executives and particularly
front-line staff. Employees, says Cone, "are your front-line ambassadors.
If they are excited, the enthusiasm will transfer to customers."
Cone is currently trying to generate this kind of
enthusiasm around television ads promoting Citigroup's mutual funds.
Instead of using well-known actors, he features Citigroup's own mutual
fund managers, who talk about their portfolios and investment strategies.
While this campaign has generally been well received,
Cone's past work has not been without controversy. The Fidelity commercials,
in which Tomlin and Rickles sought investment advice from retired star
money manager Peter Lynch, were panned by some industry critics as being
clunky and forced.
But those complaints may be beside the point, since
the commercials grabbed attention and are still talked about in the industry.
In Cone's world, the worst sin is not to be noticed. Banking
Strategies interviewed Cone last November during BAI's Retail
Delivery conference in New Orleans.
Banking Strategies:
What's the general state of advertising in financial services?
Cone: For the most
part, bank advertising has been bland. The visuals have all kind of looked
the same, with images of people walking on the beach, sitting in their
family room or playing golf at sunset. I call these "homogenized Kodak
moments." Nothing stands out. Most banks don't have any excitement in
their advertising.
Banking Strategies:
Isn't it important for banks to convey an image of safety and soundness?
Cone: But that doesn't
mean you have to be dull and boring. I don't think there's any correlation
between "safe and secure" and "dull and boring." With hundreds of television
channels and publications today, it's increasingly difficult to get the
consumer's attention.
Banking Strategies:
Do marketing professionals such as you often have to butt heads with
non-marketing executives over these kinds of issues? Is there a cultural
clash?
Cone: I haven't experienced
a lot of pushback on the content. When pushback occurs, it typically
involves the issue of whether we can sustain the campaign in both good
and bad times. Some managers might argue it's better to put marketing
dollars back into the kitty, so to speak, when the business and/or economy
is soft. Marketing, particularly advertising, tends to be the first line
item to go. Intellectually, I actually understand that, but don't necessarily
agree.
So the contentious issue is typically the ongoing
commitment of dollars, not any resistance to bold ideas.
Banking Strategies:
What was the state of Citigroup's brand advertising when you arrived
there in February 2000? What have you done to move it in new directions?
Cone: I came to Citigroup
to head up marketing for one of our business units, global investment
management. Working with a number of marketing colleagues from the other
business units, we had the task of making sense out of all the various
brands that Citigroup encompasses, such as Citibank, Travelers and Smith
Barney. At that time, the business units used different visuals, in some
cases, different logos. To put it another way, there was no common brand
identity across the businesses.
I was part of a group that came up with a framework
that includes common visual elements across all the businesses — like
the red umbrella and the blue "wave." We also use common nomenclature
wherever possible. For example, the word "Citigroup" is either in the
primary name of the business unit or in small type on a business card
or other media to make the point that this business is part of Citigroup.
Banking Strategies:
What's the role of taglines in this positioning?
Cone: Citigroup is
such a large company that each major business requires its own positioning,
although all of them share common visual elements. Customer groups are
different, so our businesses need their own positioning and, in most
cases, their own taglines.
Ideally, companies and business units, once they establish
a good positioning, should keep it as singular as possible. But that
isn't always possible. Following the late '90s merger between Citicorp
and Travelers Corp., the combined entity's business units either developed
their own taglines or continued to use a derivative of an old one. Smith
Barney, for example, started out in the '80s with the famous line, "We
make money the old fashioned way — we earn it." After the merger,
they started using, "See how we earn it." The current variation is, "This
is who we are — This is how we earn it."
Back in the '70s, Citibank used the well-known tagline, "The
Citi never sleeps." That was changed in the mid-'90s, to "Where money
lives." The current tagline is "Live Richly."
Banking Strategies:
Any thought to reviving "The Citi never sleeps?"
Cone: There's no
thought to resurrecting it. The old Citibank is now part of the new Citigroup.
I wasn't around when they decided to drop that tagline, and therefore
can't comment as to the thinking at the time.
Marketers, in general, often don't build properly
on a company's heritage. But there are pros and cons to these issues.
Sometimes you want to sound more contemporary and resonate better with
what customers want today. The business of positioning and creating strong
taglines is much more art than science.
Banking Strategies:
What is the value of brand positioning or brand advertising in an industry
where names frequently change because of acquisitions?
Cone: Brand advertising
is always worthwhile because you're always competing with other institutions
in local markets. Regardless of whether the brand you're marketing is
going to be there forever, you still have to differentiate yourself from
the local competition. If your brand name changes a few years down the
road, ideally you should sustain the campaign but just use the new name.
Promoting a brand involves a lot more than advertising,
by the way. It brings press attention. And it includes talking to your
employees on a regular basis about what the brand stands for and how
they should interact with customers. It's making sure the customer experience
reinforces the brand.
If a brand is strong, the institution's name can change
without too much damage.
Banking Strategies:
Which is more important: advertising specific products, such as checking
accounts, or promoting the overall brand image?
Cone: You can promote
the brand and a product at the same time; they're not mutually exclusive.
In fact, brand advertising can often promote specific products as part
of the campaign. The brand advertising I've done generally promotes something.
It says, "Here's company A, and here's what we're offering." In our current
ads for Citigroup's private bank, for example, we talk about services
such as global investment advice, generational financial planning and
access to the global resources of Citigroup.
Banking Strategies:
What's the optimal blend?
Cone: In most cases
in financial services, you should be doing product advertising that reinforces
the brand. You don't need pure brand advertising. Each major business
unit should be promoting the products and services they offer in an integrated
campaign.
Banking Strategies:
What are the key issues in building a company's brand?
Cone: There are three
elements that I always consider. The first is to create excitement in
the marketplace. How do we get people excited, both employees and customers?
Secondly, how do we continually create news about the products and services
we're offering? And finally, how do we create a really compelling emotional
connection with customers?
At the end of the day, you have to differentiate yourself
from all the other guys out there who are offering very similar products
and services. How do you do that visually so people immediately can understand
you're different? In the case of Coca Cola, the distinction is the shape
of its bottle and its logo. For Marlboro, it's the cowboy. At American
Express, it's the "blue box" which says "American Express."
In the case of Citigroup's asset management business,
we decided to differentiate ourselves, in all of our promotional materials,
by visually showing our mutual fund managers and their investment strategies.
So the promotion is focused on an individual fund manager or team of
fund managers. You get to see who they are and hear them talk in their
own words about their philosophy of investing. That's fairly unique in
the mutual fund industry.
And I think it has worked for us. You really should
know, after all, who's managing your money.
Banking Strategies:
From a managerial perspective, what are the key elements in designing
and implementing a campaign like that?
Cone: It's critical
to get all of the senior management of the business unit heavily involved
with the campaign. I want them to be part of the process, and I want
and need their input.
At the end of the day, the senior management of the
business needs to be comfortable, and my job is to make them comfortable.
If they buy into the campaign, hopefully the rest of the employees will
as well. If there are a whole lot of people who aren't comfortable, you
should probably re-think the campaign.
The company's employees are going to be your warmest
admirers and your severest critics all at once. I talk personally with
employees at all levels, from the janitor to the CEO. And that's not
just a platitude; I think that's a good way to vet an idea.
Banking Strategies:
Why is it so necessary to get employees on board?
Cone: If employees
are excited about a campaign, that's a good sign that consumers will
be thrilled. Word of mouth is a powerful thing. If employees really like
what they see, they will tell family and friends, who will tell other
people.
In any business, employees should be viewed as insiders
and allowed to preview everything. They're your front-line ambassadors.
If they don't like your work, it's just going to sit out there with no
support from them during their interaction with customers. If they are
excited, the enthusiasm will transfer to customers. It's really that
basic.
You can tell if the campaign is going to be good or
not based on initial employee reaction. And that's true of any business,
whether it's financial services or any other industry.
Banking Strategies:
How much do you rely on outside experts to design these campaigns?
Cone: I don't use
outside consultants much, although they're good for some things, like
objective research and focus groups.
For advertising work per se, we would use an agency
and try to give them as much latitude as possible to come up with creative
options. In the initial phase of developing a concept for a campaign,
it's always best not to hamstring the agency with all the reasons you
can't do something. You can always get to that later.
Thinking outside the box is a good thing, because
inside the box is where everybody else hangs out!
Banking Strategies:
Have you ever encountered major resistance and had to pull back from
a concept?
Cone: Well, sure.
But generally, it's been in areas I had no business being in the first
place.
When I was at KeyCorp, for example, I thought we should
create a kind of mega branch where automotive dealers could actually
display their cars and customers could get a car loan — the same
with boat dealers. I also thought of putting kiosks in places like Home
Depot where you could get a home equity loan.
No one else thought this was a good idea and we never
did it. Sometimes marketing people — I'd bet even me — don't
really spend enough time on the front lines figuring out how long it
would take for these great ideas to pay back.
Banking Strategies:
Looking back over your career, what marketing campaigns stand out as
home runs?
Cone: The campaign
at Fidelity Investments, with former fund manager Peter Lynch and actors
Lily Tomlin and Don Rickles, was an across-the-board home run. Employees
loved it, customers loved it and the business flourished.
At KeyCorp, promotions with actor Anthony Edwards
were a huge hit and a similar success across all those constituencies,
starting first with employees.
At American Express, my biggest homerun, believe it
or not, involved another side of marketing: the marketing database used
to create campaigns with partners of American Express. I was able to
convince the technology people to move from serial processing to massive
parallel processing, which allowed for a quantum leap in more efficient
and effective use of that database.
Banking Strategies:
Looking to the future, where do you see the best opportunities for financial
services marketing?
Cone: There's an
opportunity for banks in particular to get out there and talk about the
concerns of baby boomers while offering financial solutions. Right now,
we're letting some of the other nonbank companies do that — Fidelity
and Charles Schwab & Co. come to mind. Banks are passing up a great
opportunity to position themselves as offering solutions for retiring
baby boomers.
Part of that has to do with a perception among consumers — and
some banks themselves — that banks don't offer top-notch investment
options. We certainly don't feel that way at Citigroup because we have
a very strong asset management group and brokerage unit. But some other
institutions might want to partner with somebody, or perhaps just make
the point that they're better at this business than people think.
At the moment, however, we're letting bank competitors
get way too much of this business.
Mr. Cline is senior editor of Banking Strategies.
Copyright © 2004 by Banking Strategies,
published by BAI.
back to top
|